Mijn dochter kwam me halen.
De praktijk wilde dat ik mn portemonnee zocht, ten minste er in het museum achter kwam
Dat ik t ding niet bij me had
Nodig had ik m niet, maar kon m verloren hebben. Zonder al te veel misbaar even in en uit Documenta…
Mn dochter, totaal opgewonden… kwam me halen…
‘Kijk mee, kom mee’, zei ze… . Ik begon eigenlijk direct te filmen… haar opwinding beloofde iets
voor ik het wist zat zij op de grond… en ik bleef filmen… WOW…
Lees even over de Kunstenares:
Nalini Malani, dOCUMENTA 13?
Nalini Malani was born in Karachi in 1946 and lives and works in Bombay. In the last decade she has had six solo museum exhibitions amongst which a major retrospective in 2010 at the Musée Cantonal des Beaux-Arts, Lausanne, Irish Museum of Modern Art, Dublin in 2008 and in 2003 at the New Museum of Contemporary Art, New York. Her work was recently included in group shows at Centre Pompidou, Paris (2011), Martin Gropius Bau, Berlin (2009), Serpentine Gallery, London (2009), National Museum of Modern Art, Tokyo (2008), 16th Biennale of Sydney (2008), 52nd Biennale di Venezia (2007) and Castello di Rivoli, Turin (2005).
Het stuk: In Search of Vanished Blood, 2012
De productie: ?6 Channel Video/Shadow Play, with 5 rotating reverse painted Mylar cylinders, Sound, 11 minutes.
Over dOCUMENTA
The dance was very frenetic, lively, rattling, clanging, rolling, contorted and lasted for a long time
dOCUMENTA (13) is dedicated to artistic research and forms of imagination that explore commitment, matter, things, embodiment, and active living in connection with, yet not subordinated to, theory.?These are terrains where politics are inseparable from a sensual, energetic, and worldly alliance between current research in various scientific and artistic fields and other knowledges, both ancient and contemporary. dOCUMENTA (13) is driven by a holistic and non-logocentric vision that is skeptical of the persisting belief in economic growth.?This vision is shared with, and recognizes, the shapes and practices of knowing of all the animate and inanimate makers of the world, including people.?The exhibition in Kassel aims at engaging with a site and, at the same time, producing a polylogue with other placess there
100 dagen dOCUMENTA
lijkt mij dat deze inleiding een goede aanleiding is…
de bijzondere relatie, verbinding vanuit bezieling
pietsje anachronistisch voor sommige
naar ik verwacht eenmaal daar verrijking voor veel meerdere
